{"id":17431,"date":"2024-07-24T16:37:29","date_gmt":"2024-07-24T22:37:29","guid":{"rendered":"https:\/\/revistaacropolis.com\/?p=17431"},"modified":"2024-07-24T16:37:31","modified_gmt":"2024-07-24T22:37:31","slug":"por-amor-a-hidalgo-intervencion-pictorica-de-silvino-lopez-tovar-en-el-congreso-del-estado","status":"publish","type":"post","link":"https:\/\/revistaacropolis.com\/index.php\/por-amor-a-hidalgo-intervencion-pictorica-de-silvino-lopez-tovar-en-el-congreso-del-estado\/arte-y-cultura\/","title":{"rendered":"\u00abPor Amor a Hidalgo\u00bb: Intervenci\u00f3n Pict\u00f3rica de Silvino L\u00f3pez Tovar en el Congreso del Estado"},"content":{"rendered":"\n<p>El reconocido artista pl\u00e1stico hidalguense, Silvino L\u00f3pez Tovar, present\u00f3 su intervenci\u00f3n pict\u00f3rica titulada <strong>\u00abPor Amor a Hidalgo\u00bb en el H. Congreso del Estado. Esta obra fue acogida con entusiasmo por las diputadas y diputados de la LXV Legislatura, quienes apuestan por la creatividad y la cultura para inspirar a las nuevas generaciones.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"17438\" src=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018857-1-1024x682.png\" alt=\"\" class=\"wp-image-17438\" srcset=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018857-1-1024x682.png 1024w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018857-1-300x200.png 300w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018857-1-768x512.png 768w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018857-1-1536x1023.png 1536w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018857-1-600x400.png 600w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018857-1.png 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"17439\" src=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018858-1024x682.png\" alt=\"\" class=\"wp-image-17439\" srcset=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018858-1024x682.png 1024w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018858-300x200.png 300w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018858-768x512.png 768w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018858-1536x1023.png 1536w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018858-600x400.png 600w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018858.png 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>La intervenci\u00f3n, ubicada en el costado de la sala de plenos, transforma la manera de ver un muro, incorporando iconos representativos del estado de Hidalgo. <strong>A trav\u00e9s de una geometr\u00eda vibrante, Silvino ha integrado elementos como la miner\u00eda, la charrer\u00eda, el tenis, el f\u00fatbol, la m\u00fasica y los bordados tradicionales<\/strong>. Los colores utilizados tambi\u00e9n evocan al mezquite y la obsidiana, destacando la riqueza cultural y natural del estado.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"17440\" src=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018859-1-1024x682.png\" alt=\"\" class=\"wp-image-17440\" srcset=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018859-1-1024x682.png 1024w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018859-1-300x200.png 300w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018859-1-768x512.png 768w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018859-1-1536x1023.png 1536w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018859-1-600x400.png 600w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018859-1.png 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"17441\" src=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018846-768x1024.jpg\" alt=\"\" class=\"wp-image-17441\" srcset=\"https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018846-768x1024.jpg 768w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018846-225x300.jpg 225w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018846-1152x1536.jpg 1152w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018846-450x600.jpg 450w, https:\/\/revistaacropolis.com\/wp-content\/uploads\/2024\/07\/1000018846.jpg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Silvino L\u00f3pez Tovar <strong>expres\u00f3 en su video presentaci\u00f3n: \u00abEs una intervenci\u00f3n pict\u00f3rica que transforma iconos representativos del estado mediante la geometr\u00eda.<\/strong> No es un mural, sino una intervenci\u00f3n que cambia nuestra manera de ver un muro.\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El reconocido artista pl\u00e1stico hidalguense, Silvino L\u00f3pez Tovar, present\u00f3 su intervenci\u00f3n pict\u00f3rica titulada \u00abPor Amor a Hidalgo\u00bb en el H. Congreso del Estado. Esta obra fue acogida con entusiasmo por&hellip; <\/p>\n","protected":false},"author":10,"featured_media":17435,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"two_page_speed":[],"_joinchat":[],"footnotes":""},"categories":[2789],"tags":[],"class_list":["post-17431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-y-cultura"],"_links":{"self":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts\/17431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/comments?post=17431"}],"version-history":[{"count":1,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts\/17431\/revisions"}],"predecessor-version":[{"id":17442,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts\/17431\/revisions\/17442"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/media\/17435"}],"wp:attachment":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/media?parent=17431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/categories?post=17431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/tags?post=17431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}