{"id":22579,"date":"2026-02-26T13:39:33","date_gmt":"2026-02-26T19:39:33","guid":{"rendered":"https:\/\/revistaacropolis.com\/?p=22579"},"modified":"2026-02-26T13:39:36","modified_gmt":"2026-02-26T19:39:36","slug":"isaac-mocer-canto-y-folklore-experimental-desde-hidalgo","status":"publish","type":"post","link":"https:\/\/revistaacropolis.com\/index.php\/isaac-mocer-canto-y-folklore-experimental-desde-hidalgo\/reportajes_especiales\/","title":{"rendered":"Isaac Mocer Canto y folklore experimental desde Hidalgo"},"content":{"rendered":"\n<p><strong>Isaac Vitaliano Moreno Cervantes<\/strong>, conocido art\u00edsticamente como <strong>Isaac Mocer<\/strong>, es int\u00e9rprete, cantante y director de la compa\u00f1\u00eda <strong>Viva M\u00e9xico Show<\/strong>, adem\u00e1s de <strong>maestro de canto<\/strong> en el <strong>Centro de las Artes en Hidalgo<\/strong>.<\/p>\n\n\n\n<p>Su formaci\u00f3n art\u00edstica la desarroll\u00f3 en el <strong>Centro de Capacitaci\u00f3n Art\u00edstica<\/strong> de la <strong>Asociaci\u00f3n Nacional de Actores (ANDA)<\/strong>, donde perfeccion\u00f3 t\u00e9cnica vocal y expresi\u00f3n corporal.<\/p>\n\n\n\n<p>Su proyecto esc\u00e9nico apuesta por mantener vigente el <strong>folklore mexicano<\/strong> a trav\u00e9s de una propuesta que denomina <strong>folklore experimental<\/strong>, combinando g\u00e9neros tradicionales con ritmos urbanos para acercarlos a nuevas generaciones. En su repertorio rinde homenaje a figuras como <strong>Pedro Infante, Jorge Negrete y Jos\u00e9 Alfredo Jim\u00e9nez<\/strong>.<\/p>\n\n\n\n<p>Define la <strong>honestidad<\/strong> como el valor que gu\u00eda su trabajo. Pr\u00f3ximamente participar\u00e1 en un intercambio cultural con <strong>Ciudad de M\u00e9xico<\/strong> para promover talento hidalguense.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Isaac Vitaliano Moreno Cervantes, conocido art\u00edsticamente como Isaac Mocer, es int\u00e9rprete, cantante y director de la compa\u00f1\u00eda Viva M\u00e9xico Show, adem\u00e1s de maestro de canto en el Centro de las&hellip; <\/p>\n","protected":false},"author":17,"featured_media":22580,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"two_page_speed":[],"_joinchat":[],"footnotes":""},"categories":[54],"tags":[3352,89,91],"class_list":["post-22579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reportajes_especiales","tag-100-hombres-de-altura","tag-hidalgo","tag-pachuca"],"_links":{"self":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts\/22579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/comments?post=22579"}],"version-history":[{"count":1,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts\/22579\/revisions"}],"predecessor-version":[{"id":22581,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/posts\/22579\/revisions\/22581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/media\/22580"}],"wp:attachment":[{"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/media?parent=22579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/categories?post=22579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaacropolis.com\/index.php\/wp-json\/wp\/v2\/tags?post=22579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}